The Decision Between Us
Art and Ethics in the Time of Scenes
9780226717777
9780226113371
The Decision Between Us
Art and Ethics in the Time of Scenes
The Decision Between Us combines an inventive reading of Jean-Luc Nancy with queer theoretical concerns to argue that while scenes of intimacy are spaces of sharing, they are also spaces of separation. John Paul Ricco shows that this tension informs our efforts to coexist ethically and politically, an experience of sharing and separation that informs any decision. Using this incongruous relation of intimate separation, Ricco goes on to propose that “decision” is as much an aesthetic as it is an ethical construct, and one that is always defined in terms of our relations to loss, absence, departure, and death.
Laying out this theory of “unbecoming community” in modern and contemporary art, literature, and philosophy, and calling our attention to such things as blank sheets of paper, images of unmade beds, and the spaces around bodies, The Decision Between Us opens in 1953, when Robert Rauschenberg famously erased a drawing by Willem de Kooning, and Roland Barthes published Writing Degree Zero, then moves to 1980 and the “neutral mourning” of Barthes’ Camera Lucida, and ends in the early 1990s with installations by Felix Gonzalez-Torres. Offering surprising new considerations of these and other seminal works of art and theory by Jean Genet, Marguerite Duras, and Catherine Breillat, The Decision Between Us is a highly original and unusually imaginative exploration of the spaces between us, arousing and evoking an infinite and profound sense of sharing in scenes of passionate, erotic pleasure as well as deep loss and mourning.
Laying out this theory of “unbecoming community” in modern and contemporary art, literature, and philosophy, and calling our attention to such things as blank sheets of paper, images of unmade beds, and the spaces around bodies, The Decision Between Us opens in 1953, when Robert Rauschenberg famously erased a drawing by Willem de Kooning, and Roland Barthes published Writing Degree Zero, then moves to 1980 and the “neutral mourning” of Barthes’ Camera Lucida, and ends in the early 1990s with installations by Felix Gonzalez-Torres. Offering surprising new considerations of these and other seminal works of art and theory by Jean Genet, Marguerite Duras, and Catherine Breillat, The Decision Between Us is a highly original and unusually imaginative exploration of the spaces between us, arousing and evoking an infinite and profound sense of sharing in scenes of passionate, erotic pleasure as well as deep loss and mourning.
View a roundtable discussion of the book held at the Jackman Humanities Institute.
264 pages | 6 color plates, 9 halftones | 6 x 9 | © 2014
Art: Art Criticism
Literature and Literary Criticism: General Criticism and Critical Theory
Philosophy: Aesthetics
Reviews
Table of Contents
Acknowledgments
Introduction
Part I. Name No One
1: Name No One Man
2: Name No One Name
Part II. Naked
3: Naked Sharing
4: Naked Image
Part III. Neutral and Unbecoming
5: Neutral Mourning
6: Unbecoming Community
Notes
Bibliography
Index
Introduction
Part I. Name No One
1: Name No One Man
2: Name No One Name
Part II. Naked
3: Naked Sharing
4: Naked Image
Part III. Neutral and Unbecoming
5: Neutral Mourning
6: Unbecoming Community
Notes
Bibliography
Index
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