“This is a work by an accomplished literary theorist who has also gone to the trouble of reading, with intense care, representative works in the French tradition of historiography from the time that the academic discipline of history first emerged in France in the nineteenth century up to the very recent past. Carrard aims to offer a poetics of French historiography. He corrects widely shared misapprehensions put forward by previous commentators on French historiography and thus helps us to understand more clearly what is going on in those works. He also makes a significant contribution to the theory and philosophy of history. Perhaps most important, Carrard shows in History as a Kind of Writing that it is a mistake to equate the historiographical project with narrative, for much history is not narrative in any strict sense, but exemplifies other genres.”

Allan Megill, University of Virginia

“Consistently lucid, admirably balanced, remarkably well informed, and based on an impressively broad and diverse corpus, History as a Kind of Writing captures the textual nature and specificity of contemporary French historiography and constitutes a veritable poetics of that historiographic production. In fact, it does more and contains thought provoking pages addressing the differences between plot and emplotment or between construction and invention, factual and fictional discourse, history and fiction; shedding light on narrative and narrativity or on the image of the reader inscribed in the paratext; discussing the problem of received historical categories or received organizational patterns; and pointing to the epistemological and ideological implications of various existing practices. The book will be of interest not only to historians, poeticians, and students of France, but to humanists and humanistic social scientists in general.”

Gerald J. Prince, University of Pennsylvania