Skip to main content

Lyric Personhood

On the Aesthetics of Being Someone in the West

Lyric Personhood

On the Aesthetics of Being Someone in the West


232 pages | 13 halftones, 4 line drawings, 1 tables | 6 x 9

Opera Lab: Explorations in History, Technology, and Performance

Film Studies

Media Studies

Music: General Music

Philosophy: Aesthetics

Table of Contents

Introduction. Self-Evident

One. Three Speeches Delivered by Colin Firth

Two. White Love: Romantic Comedy, the ’90s, and Genre in the Background
Three Punch Lines (What’s Comedy Doing in Romantic Comedy?)
Musical Montage, or Heterosexual Aesthetics
Revelations of Form: A Reading of You’ve Got Mail
 
Three. Metarhythms of the Addict: Tannhäuser in the Compulsion Archive
Get Better
Two Concepts of Tragedy
Addiction and the Event of Thought
Silence and World
Coda: Audiovisual Aesthetics and the Problem of the Whole
 
Four. The Soundtrack Is So Cliché: Ambient Westernness After 9/11
Zooming Out, Fading In
USA, the Backstage Musical: The West Wing
Event Without Content: The Happening
Personhood and the Cliché: Non-Stop
Race After the “Postracial” Terrorist Film
Hold Music, General Forms, and the Lyric Ordinary: Kajillionaire
 
Epilogue. Where Nothing Happens

Acknowledgments
Notes
Bibliography
Index
 

Be the first to know

Get the latest updates on new releases, special offers, and media highlights when you subscribe to our email lists!

Sign up here for updates about the Press