The Public Image
Photography and Civic Spectatorship
The Public Image
Photography and Civic Spectatorship
Publication supported by the Neil Harris Endowment Fund
By confronting these conflicted reactions to photography, Robert Hariman and John Louis Lucaites make the case for a fundamental shift in understanding photography and public culture. In place of suspicions about the medium’s capacity for distraction, deception, and manipulation, they suggest how it can provide resources for democratic communication and thoughtful reflection about contemporary social problems.
The key to living well in the image world is to unlock photography from viewing habits that inhibit robust civic spectatorship. Through insightful interpretations of dozens of news images, The Public Image reveals how the artistry of the still image can inform, challenge, and guide reflection regarding endemic violence, environmental degradation, income inequity, and other chronic problems that will define the twenty-first century.
By shifting from conventional suspicions to a renewed encounter with the image, we are challenged to see more deeply on behalf of a richer life for all, and to acknowledge our obligations as spectators who are, crucially, also citizens.
Reviews
Table of Contents
1 Climbing out of Plato’s Cave
2 For Interpretation
3 Realism and Imagination
4 This Modern Art
5 Seeing Society
6 Watching War
7 The Abundant Art
Notes
Photo Catalog
Index
Awards
Carl Couch Center: Bruce E. Gronbeck Political Research Award
Won
Speech Com Assn Public Address Division: Marie Hochmuth Nichols Award
Won
NCA Visual Communication Division: NCA-Visual Communication Division Book Award
Won
Media Ecology Association: Susanne K. Langer Award
Won
Be the first to know
Get the latest updates on new releases, special offers, and media highlights when you subscribe to our email lists!