Robert Paul and the Origins of British Cinema
9780226105635
9780226610115
Robert Paul and the Origins of British Cinema
The early years of film were dominated by competition between inventors in America and France, especially Thomas Edison and the Lumière brothers . But while these have generally been considered the foremost pioneers of film, they were not the only crucial figures in its inception. Telling the story of the white-hot years of filmmaking in the 1890s, Robert Paul and the Origins of British Cinema seeks to restore Robert Paul, Britain’s most important early innovator in film, to his rightful place.
From improving upon Edison’s Kinetoscope to cocreating the first movie camera in Britain to building England’s first film studio and launching the country’s motion-picture industry, Paul played a key part in the history of cinema worldwide. It’s not only Paul’s story, however, that historian Ian Christie tells here. Robert Paul and the Origins of British Cinema also details the race among inventors to develop lucrative technologies and the jumbled culture of patent-snatching, showmanship, and music halls that prevailed in the last decade of the nineteenth century. Both an in-depth biography and a magnificent look at early cinema and fin-de-siècle Britain, Robert Paul and the Origins of British Cinema is a first-rate cultural history of a fascinating era of global invention, and the revelation of one of its undervalued contributors.
From improving upon Edison’s Kinetoscope to cocreating the first movie camera in Britain to building England’s first film studio and launching the country’s motion-picture industry, Paul played a key part in the history of cinema worldwide. It’s not only Paul’s story, however, that historian Ian Christie tells here. Robert Paul and the Origins of British Cinema also details the race among inventors to develop lucrative technologies and the jumbled culture of patent-snatching, showmanship, and music halls that prevailed in the last decade of the nineteenth century. Both an in-depth biography and a magnificent look at early cinema and fin-de-siècle Britain, Robert Paul and the Origins of British Cinema is a first-rate cultural history of a fascinating era of global invention, and the revelation of one of its undervalued contributors.
304 pages | 84 halftones, 1 table | 6 x 9 | © 2019
Art: Art--General Studies, British Art
History: British and Irish History
Reviews
Table of Contents
Acknowledgments
Prelude
1 Getting into the Picture Business
2 Flashback: An Engineer’s Education
3 “Adding Interest to Wonder”: The First Year in Film
4 Time Travel: Film, the Past and Posterity
5 “True Till Death!” Family Business
6 Home and Away: Networks of Nonfiction
7 Distant Wars: South Africa and Beyond
8 Telling Tales: Studio-Based Production
9 “Daddy Paul”: The Cultural Economy of Cinema in Britain
10 “My Original Business”: Paul’s Technical and Scientific Work
12 Paul and Early Film History
Epilogue
Prelude
1 Getting into the Picture Business
2 Flashback: An Engineer’s Education
3 “Adding Interest to Wonder”: The First Year in Film
4 Time Travel: Film, the Past and Posterity
5 “True Till Death!” Family Business
6 Home and Away: Networks of Nonfiction
7 Distant Wars: South Africa and Beyond
8 Telling Tales: Studio-Based Production
9 “Daddy Paul”: The Cultural Economy of Cinema in Britain
10 “My Original Business”: Paul’s Technical and Scientific Work
12 Paul and Early Film History
Epilogue
Appendixes
A “A Novel Form of Exhibition or Entertainment, Means for Presenting the Same”: Paul’s “Time Machine” Patent Application, 1895
B Flotation advertisement, 1897
B Flotation advertisement, 1897
Robert Paul Productions 1895–1909
Notes
Index
Notes
Index
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