Radical as Reality
Form and Freedom in American Poetry
9780226663371
9780226663234
9780226663401
Radical as Reality
Form and Freedom in American Poetry
What do American poets mean when they talk about freedom? How can form help us understand questions about what shapes we want to give our poetic lives, and how much power we have to choose those shapes? For that matter, what do we even mean by we? In this collection of essays, Peter Campion gathers his thoughts on these questions and more to form an evolutionary history of the past century of American poetry.
Through close readings of the great modernists, midcentury objectivists, late twentieth-century poets, his contemporaries, and more, Campion unearths an American poetic landscape that is subtler and more varied than most critics have allowed. He discovers commonalities among poets considered opposites, dramatizes how form and history are mutually entailing, and explores how the conventions of poetry, its inheritance, and its inventions sprang from the tensions of ordinary life. At its core, this is a book about poetic making, one that reveals how the best poets not only receive but understand and adapt what comes before them, reinterpreting the history of their art to create work that is, indeed, radical as reality.
Through close readings of the great modernists, midcentury objectivists, late twentieth-century poets, his contemporaries, and more, Campion unearths an American poetic landscape that is subtler and more varied than most critics have allowed. He discovers commonalities among poets considered opposites, dramatizes how form and history are mutually entailing, and explores how the conventions of poetry, its inheritance, and its inventions sprang from the tensions of ordinary life. At its core, this is a book about poetic making, one that reveals how the best poets not only receive but understand and adapt what comes before them, reinterpreting the history of their art to create work that is, indeed, radical as reality.
256 pages | 5 1/2 x 8 1/2 | © 2019
Literature and Literary Criticism: American and Canadian Literature, General Criticism and Critical Theory
Reviews
Table of Contents
Introduction: Radical as Reality
Part One
Frost and Stevens at the Casa Marina
A Dream We Dreamed Each Separately
John Berryman’s Acoustics
James Wright’s Classicism
Palpable Fact: James Schuyler and Immediacy
Part Two
Biographical Form: Five Poets
Mah Wallah-Woe
Larry Levis
Part Three
Verse Chronicle: Poems of Force
“The Wolf, the Snake, the Hog, Not Wanting in Me”: Poetry and Resistance
Free within Ourselves
Sincerity and Its Discontents
Acknowledgments
Works Cited
Index of Names
Part One
Frost and Stevens at the Casa Marina
A Dream We Dreamed Each Separately
John Berryman’s Acoustics
James Wright’s Classicism
Palpable Fact: James Schuyler and Immediacy
Part Two
Biographical Form: Five Poets
Mah Wallah-Woe
Larry Levis
Part Three
Verse Chronicle: Poems of Force
“The Wolf, the Snake, the Hog, Not Wanting in Me”: Poetry and Resistance
Free within Ourselves
Sincerity and Its Discontents
Acknowledgments
Works Cited
Index of Names
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