9781787353947
9781787353954
Distributed for UCL Press
Being Modern
The Cultural Impact of Science in the Early Twentieth Century
In the early decades of the twentieth century, engagement with science was commonly used as an emblem of modernity. This phenomenon is now attracting increased attention in different historical specialties. Being Modern builds on this recent interest to explore engagements with science across culture from the end of the nineteenth century to approximately 1940. Addressing the breadth of cultural forms in Britain and the western world from the architecture of Le Corbusier to working class British science fiction, Being Modern paints a rich picture. Seventeen distinguished contributors from a range of fields, including the history of science and technology, art, architecture, and English culture and literature examine the issues involved. The book will be a valuable resource for further examination of culture as an interconnected web of which science was a critical part.
454 pages | 6.14 x 9.21 | © 2018
Free digital open access editions are available to download from UCL Press.
Geography: Environmental Geography
Table of Contents
"Being Modern: Introduction
Robert Bud and Morag Shiach
Section 1: Science, modernity and culture
1 Multiple modernisms in concert: the sciences, technology and culture in Vienna around 1900
Mitchell G. Ash
2 The cinematic sound of industrial modernity: first notes
Tim Boon
3 Woolf’s atom, Eliot’s catalyst and Richardson’s waves of
light: science and modernism in 1919
Morag Shiach
4 T.S. Eliot: modernist literature, disciplines and the
systematic pursuit of knowledge
Kevin Brazil
Section 2: Tensions over science
5 Modernity and the ambivalent significance of applied science: motors, wireless, telephones and poison gas
Robert Bud
6 ‘The springtime of science’: modernity and the future and
past of science
Frank A.J.L. James
7 ‘Come on you demented modernists, let’s hear from you’:
science fans as literary critics in the 1930s
Charlotte Sleigh
Section 3:
Mathematics and physics
8 Modern by numbers: modern mathematics as a model for
literary modernism
Nina Engelhardt
9 Sculpture in the Belle Epoque: mathematics, art and
apparitions in school and gallery
Lewis Pyenson
10 Architecture, science and purity
Judi Loach
11 A Portrait of the Scientist as a Young Ham: wireless,
modernity and interwar nuclear physics
Jeff Hughes
12 Whose modernism, whose speed? Designing mobility for the
future, 1880s–1945
Ruth Oldenziel
Section 4: Life, biology and the organicist metaphor
13 Ludwig Koch’s birdsong on wartime BBC radio: knowledge,
citizenship and solace
Michael Guida
14 ‘More Modern than the Moderns’: performing cultural
evolution in the Kibbo Kift Kindred
Annebella Pollen
15 Organicism and the modern world: from A.N. Whitehead to
Wyndham Lewis and D.H. Lawrence
Craig Gordon
16 Liquid crystal as chemical form and model of thinking in
Alfred Döblin’s modernist science
Esther Leslie
17 ‘I am attracted to the natural order of things’: Le
Corbusier’s rejection of the machine
Tim Benton
Epilogue: Science after modernity
Frank A.J.L. James and
Robert Bud
Select bibliography
Index"
Robert Bud and Morag Shiach
Section 1: Science, modernity and culture
1 Multiple modernisms in concert: the sciences, technology and culture in Vienna around 1900
Mitchell G. Ash
2 The cinematic sound of industrial modernity: first notes
Tim Boon
3 Woolf’s atom, Eliot’s catalyst and Richardson’s waves of
light: science and modernism in 1919
Morag Shiach
4 T.S. Eliot: modernist literature, disciplines and the
systematic pursuit of knowledge
Kevin Brazil
Section 2: Tensions over science
5 Modernity and the ambivalent significance of applied science: motors, wireless, telephones and poison gas
Robert Bud
6 ‘The springtime of science’: modernity and the future and
past of science
Frank A.J.L. James
7 ‘Come on you demented modernists, let’s hear from you’:
science fans as literary critics in the 1930s
Charlotte Sleigh
Section 3:
Mathematics and physics
8 Modern by numbers: modern mathematics as a model for
literary modernism
Nina Engelhardt
9 Sculpture in the Belle Epoque: mathematics, art and
apparitions in school and gallery
Lewis Pyenson
10 Architecture, science and purity
Judi Loach
11 A Portrait of the Scientist as a Young Ham: wireless,
modernity and interwar nuclear physics
Jeff Hughes
12 Whose modernism, whose speed? Designing mobility for the
future, 1880s–1945
Ruth Oldenziel
Section 4: Life, biology and the organicist metaphor
13 Ludwig Koch’s birdsong on wartime BBC radio: knowledge,
citizenship and solace
Michael Guida
14 ‘More Modern than the Moderns’: performing cultural
evolution in the Kibbo Kift Kindred
Annebella Pollen
15 Organicism and the modern world: from A.N. Whitehead to
Wyndham Lewis and D.H. Lawrence
Craig Gordon
16 Liquid crystal as chemical form and model of thinking in
Alfred Döblin’s modernist science
Esther Leslie
17 ‘I am attracted to the natural order of things’: Le
Corbusier’s rejection of the machine
Tim Benton
Epilogue: Science after modernity
Frank A.J.L. James and
Robert Bud
Select bibliography
Index"