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Distributed for Intellect Ltd

Contemporary Absurdities, Existential Crises, and Visual Art

An investigation of the absurd as a condition of, a tactic for, and a subject in the contemporary.

The absurd is a lens on the disturbances of our moment and a challenge to the propositions about and solutions for the world. The absurd shakes off the paralysis that what we know must be the only thing we (re)produce. Those willing to recognize that truth and confront it, rather than flee from it, are thereby introduced to the political writ large.

Critical art allows the absurd a space within which audiences can observe their own tendencies and assumptions. The absurd in art reveals our inculcation into hegemonic belief structures and the necessity to question the systems to which we subscribe. Today we see the absurd in memes, performative politics, and art, expressing the confusion and disorientation wrought by the endless, emerging crises of our 24/7 relations. This edited collection, featuring contributions by well-known artists and scholars, adopts ideas and practices associated with the absurd to explain how the contemporary moment is absurd and how absurdity is a useful, potentially radical tool within the contemporary.

238 pages | 35 halftones | 6.69 x 9.61 | © 2024

Art: Art--General Studies

Philosophy: General Philosophy


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Reviews

 “In the collection’s tracking of the absurd, heterogeneity has been encouraged and the usual academic forms which work to unify and effect coherence are frequently discarded, allowing for a fuller sense of encountering very different minds and approaches. . . . It’s a rich and challenging collection which is careful not to make any grand claims, perforce given ‘coherent demands or claims are perhaps antithetical to the absurd’ (4), but, in the face of the common understanding of the absurd ‘as foolish or despairing’ (120), the book mounts a compelling and engrossing defence of its subject. Useful to both art historians and comedy studies scholars, the collection’s iconoclastic, ardent engagement with our contemporary moment means it also addresses a genuinely broad church, with appeal beyond academia.”

Emma Sullivan | Comedy Studies

Table of Contents

List of Figures 


Introduction 


 


1. Anatomical Bitransversal Symmetry Axiswerks: Inter-orificial Economics of Evolutionary Body Plan Development
Adam Zaretsky


2. Laws of Motion in a Cartoon Landscape: Revised and Redacted
Andy Holden


3. Landscape Fictions and Future Realities
Aroussiak Gabrielian


4. Why I Should Learn From Our Masters!
Bager Akbay


5. The Absurd Isn’t It Ironic? A Vestigial Tale : ‘Vestigial Tale’ About 6740 Google Results
Carla Gannis


6. The Absurd and an Agonistic Opportunity
Charlotte Kent


7. Eight Variants of Tactical Absurdity in (Post)Conceptual Art: An Overperformance of Typological Exactitude
Dave Ball


8. The Weird and the Absurd
Graham Harman


9. Absurd Temporalities
Grant Bollmer


10. Reflections on Camus’ Absurd
Jennifer Lyn Morone


11. Feeling is Funny
Katherine Guinness


12. The Eighteenth Brumaire of Amy Coney Barrett Cross-Examined Absurdly by the Medusan French Feminist Philosopher Hélène Cixous
Maggie Hennefeld


13. From Planetary Core to the High Seas
Mary Mattingly


14. Exulting in the Ab-surd: Artaud to Arp
Mary Ann Caws


 


Appendix: The Janks Collective Archives

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