Declarations of Independence
American Cinema and the Partiality of Independent Production
9781841501857
Distributed for Intellect Ltd
Declarations of Independence
American Cinema and the Partiality of Independent Production
American independent cinema has gained mainstream popularity in recent years as audiences tire of the bloated, clichéd spectacle of Hollywood films. But how independent are these movies? As John Berra contends in Declarations of Independence, the supposedly alternative film scene employs the same production techniques as its Hollywood counterparts and may find an uncritical audience in fans looking to attach personal sentiments and social reference points to art forms. This provocative volume questions the autonomy of independent film, asking if it is possible for a unique filmic vision to thrive in an industry of mass production.
Reviews
Table of Contents
Acknowledgements
Chapter One
Genesis: Modern American Independent Cinema and its Position within an Industry of Mass Production
Chapter Two
Ancestry of Independence: Easy Rider and the Declaration of a New American Cinema
Chapter Three
The Art of the Possible: Hollywood Feature Film Production since 1970
Chapter Four
Oppositional Fantasies: The Economic Structure of American Independent Cinema and its Essential Lineaments
Chapter Five
Loyalty to the Rhetoric: Four American Film-makers and their Commitment to an Autonomous Mode of Cultural Production
Chapter Six
Graduating Class: American Independent Cinema as Finishing School
Chapter Seven
A Cultural Comparison: British Independent Cinema and its Relation to its American Counterpart
Chapter Eight
Selective Exhibition: The Sundance Film Festival and its Significance to the Independent Sector
Chapter Nine
The Business of Art: Miramax Films and the Cultivation of the Niche Market
Chapter Ten
The Reception of an Alternative Americana: Audiences and American Independent Cinema
Bibliography
Index