Representing the Male
Masculinity, Genre and Social Context in Six South Wales Novels
9781786837783
Distributed for University of Wales Press
Representing the Male
Masculinity, Genre and Social Context in Six South Wales Novels
A study of masculinity in six Welsh novels, linking the critique of structural patriarchy to that of industrial capitalism.
The book undertakes a gendered analysis of the male characters in six South Wales novels written between 1936 and 2014, uncovering a critique of the form of masculine hegemony propagated by structural patriarchy and industrial capitalism. The novels depict characters confined to a limited repertoire of culturally endorsed behavioral norms that prohibit the expression and cultivation of the self. Ideologically subservient and “feminized” in the context of work, the working-class characters are ideologically dominant and “masculinized” at home. As the characters negotiate, resist, or strive to reconcile the irreconcilable demands of such gendered practices, Jenkins shows how recurring patterns of exclusion, inadequacy, and mental instability become evident in their representation.
The book undertakes a gendered analysis of the male characters in six South Wales novels written between 1936 and 2014, uncovering a critique of the form of masculine hegemony propagated by structural patriarchy and industrial capitalism. The novels depict characters confined to a limited repertoire of culturally endorsed behavioral norms that prohibit the expression and cultivation of the self. Ideologically subservient and “feminized” in the context of work, the working-class characters are ideologically dominant and “masculinized” at home. As the characters negotiate, resist, or strive to reconcile the irreconcilable demands of such gendered practices, Jenkins shows how recurring patterns of exclusion, inadequacy, and mental instability become evident in their representation.
256 pages | 5 1/2 x 8 1/2 | © 2021
Literature and Literary Criticism: General Criticism and Critical Theory
Reviews
Table of Contents
Introduction
1. Dominant, Residual, Emergent: Forms and Formations of Male
Identity in Gwyn Jones’s Times Like These (1936)
2. Genre and the Tribulations of Masculinity in Lewis Jones’s
Cwmardy (1937)
3. Investigating Genre and Gender in Menna Gallie’s Strike for a Kingdom (1959)
4. Genre and the Embodied Male in Ron Berry’s So Long, Hector Bebb
(1970)
5. Patriarchy, Power and Politics: Masculinities in Roger Granelli’s
Dark Edge (1997) and Kit Habianic’s Until Our Blood is Dry (2014)
Conclusion
Bibliography
1. Dominant, Residual, Emergent: Forms and Formations of Male
Identity in Gwyn Jones’s Times Like These (1936)
2. Genre and the Tribulations of Masculinity in Lewis Jones’s
Cwmardy (1937)
3. Investigating Genre and Gender in Menna Gallie’s Strike for a Kingdom (1959)
4. Genre and the Embodied Male in Ron Berry’s So Long, Hector Bebb
(1970)
5. Patriarchy, Power and Politics: Masculinities in Roger Granelli’s
Dark Edge (1997) and Kit Habianic’s Until Our Blood is Dry (2014)
Conclusion
Bibliography
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