Distributed for UCL Press
War Essays
In War Essays, Zainab Bahrani delivers a powerful reckoning of the destruction of Iraq’s cultural heritage in the wake of the 2003 invasion by weaving together personal experience and a critique of the enduring colonial practices of archaeology. Across two decades of essays, she examines the war’s devastating impact not only on human lives but also on Iraq’s historical landscapes, monuments, and memory, situating heritage loss within the broader geopolitics of the Middle East.
Bahrani confronts the prevailing narratives about the war, exposing how imperial violence extends beyond the battlefield to target history itself and reshaping the discipline of archaeology. By combining eyewitness testimony with theoretical inquiry, this book reflects on the role of intellectuals and historians in times of war and interrogates the responsibility of those who document conflict and its aftermath. Essential reading for scholars of Middle Eastern studies and archaeology, War Essays offers a unique and deeply personal perspective on the lasting scars of war and the fragile relationship between history and memory.

Reviews
Table of Contents
List of figures
Acknowledgements
Cover illustration: artist’s note
Introduction: Twenty years after Operation Iraqi Freedom
Part I: War in Iraq
Preface
1 Looting and conquest
2 The scholar as activist
3 The Iraq War
4 In the fray: British and Swiss get tough about smuggling
5 Days of plunder
6 Iraq’s cultural heritage: monuments, history and loss
7 The destruction of cultural heritage in Iraq
Plate section 1: Figures 1-17
Part II: Military occupation and archaeological discourse
Preface
8 Babylon: a case study in the military occupation of an archaeological site
9 The battle for Babylon (2006)
10 The battle for Babylon (2008)
11 Desecrating history
12 October questionnaire
13 Archaeology and the strategies of war
Part III: Aftermath: erasing/writing
Preface
14 Archaeology, global cultural heritage and Iraq
15 Tabula rasa
16 Amnesia in Mesopotamia
Plate section 2: Figures 18-34
Part IV: ISIS/Daesh
Preface
17 The absent past: heritage destruction and historical erasure today
18 Destruction and preservation as aspects of just war
19 Blood antiquities and the global art market
20 Decolonising the museum
21 Technologies of power in archaeology
22 Historical destruction in a forgotten war
23 Mosul and Niniveh
24 Conclusion: Warfare, creative destruction, and the politics of preservation
Index
Be the first to know
Get the latest updates on new releases, special offers, and media highlights when you subscribe to our email lists!