"In this admirable description of how abolitionists and others who were anti-slavery appropriated the ancestral figure of the Puritan, Kenyon Gradert brings together three different strands of politicized memory in the antebellum and immediate post-bellum periods. . . . The story Gradert tells is literary-cum-cultural history at its finest. His alertness to theological nuance is remarkable, as is his close reading of novels, poetry, and other texts, a practice he employs to reveal the tensions that accompanied the project of appropriating the Puritans/Pilgrims."
 

David D. Hall | Religion and Literature

2020 Hennig Cohen Prize - Honorable Mention

Melville Society

"Thought-provoking. . . Eminently well conceived and well constructed. Drawing on various genres, Gradert’s close readings are erudite without being obscure. In a number of cases, Gradert sheds new light on major figures of the antislavery movement by focusing on works less familiar to modern scholars. . . The book thoroughly convinces that there is more to say about both the cultural significance of Puritanism and the consciousness of New England abolitionists, despite the hefty bodies of existing scholarship on these topics. . . . Especially given its brevity, Puritan Spirits in the Abolitionist Imagination gives readers a lot to think about. Specialists in nineteenth-century American literature, culture, and history will find ample insights in its analysis of specific texts and authors, while scholars of historical memory and nationalism will appreciate the questions the book raises about how people construct the past to make meaning in the present. Gradert makes an eloquent case that the Puritan influence in the American consciousness is worth another look."

H-Net

"The attitude of careful listener and occupant of the middle ground sometimes seems at odds with the Puritan-inspired militancy that Gradert is exploring. But his patient and generous approach to the complexities of ethically committed, activist writing rejects the skepticism associated with the culture of critique. Instead, he pursues the constructive approach of literary critic as expert explainer and thoughtful guide, a role he takes on with grace and verve. In Gradert’s hands, literary comparison becomes particularly effective and sparks insightful characterizations. . . As a skilled New Formalist, Gradert deftly weaves together such literary critical interpretation with biographical narrative to explicate the political positions and rhetorical choices of the many writers he discusses."
 

American Literary History

"Nathaniel Hawthorne may have been haunted in the Scarlet Letter by 'a throng of bearded men, in sad-colored garments of gray,' but as Kenyon Gradert’s lively book lays out, the puritans that populated the abolitionist rhetoric of Hawthorne’s peers were warriors, revolutionaries, and zealots in the cause of righteousness. . . . Scholars interested in the nineteenth-century construction of the colonial past will find in Gradert’s engaging book an important revelation about how saturated abolitionist discourse (and the print market) was with the figure of the revolutionary Puritan."

New England Quarterly

“We may want better Puritans, and the complex history of the movement in early modern Britain and early New England feeds this quest, which seems never-ending. Among its more remarkable aspects was the enthusiastic embrace of Puritan-style moral heroism by nineteenth-century abolitionists of New England descent, who validated their own militancy by citing Oliver Cromwell and those seekers of religious liberty, the “pilgrims” of Plymouth. This story is told in Kenyon Gradert’s Puritan Spirits in the Abolitionist Imagination.”

David Hall | Journal of Early American History

“Gradert’s voice is earnest and engaging, and his analysis is deft throughout. . . The book’s most significant contribution rests in its archive and Gradert’s skill at identifying striking moments in it and teasing out their meanings. . . . In Gradert’s careful curation and illumination of primary texts, Puritan Spirits in the Abolitionist Imagination makes abolitionist Puritanism a usable past for early Americanists.”

Early American Literature

“A wide-ranging investigation of the ways in which the history and memory of the American and English Puritans influenced the American abolitionist movement. Gradert’s range of sources is most impressive. Sermons, polemics, histories, poetry, journalism—he covers it all, while also showing how the Puritan rhetoric he so masterfully traces affected a remarkable range of figures, male and female, black and white. Moreover, Gradert writes with verve. This is a powerful, sophisticated book.”

Philip F. Gura, University of North Carolina

“The Puritans have endured bad press since they landed in these parts, eager to escape the atrocities on the other side of an ocean. Gradert amends these attitudes. He writes of the ‘revolutionary pleasure’ Puritanism gave us, and still provides us, if we’re willing to listen. Tune in, and you’ll be cured of the notion that Puritanism means abstention from your body and the world. You might even be seduced by the bodily thrumming that Gradert's argument summons.”

James Livingston, Rutgers University

"In this nimble, innovative monograph, Kenyon Gradert makes a compelling case for the role Puritans played in the rhetoric and imagination of American abolitionists. . . . He offers a convincing argument that asks to us to reconceive our understanding of Puritans and the role they have played in the American historic imagination over time."

 

Journal of the Early Republic

"Gradert analyzes an impressive range of abolitionist invocations of the Puritan legacy. . . [and] offers scholars significant material with which to evaluate the meaningfulness of 'Puritans' in the imaginations of nineteenth-century Americans."

Reading Religion

"An important resource for scholars even of the colonial era."
 

American Literary Scholarship

"An engaging narrative of the era’s political flashpoints . . . Puritan Spirits in the Abolitionist Imagination recreates the familiar events of the anti-slavery struggle as a Gramscian war of position . . . a refreshing take on the political flashpoints of the 'slavery question.'"

African American Review